Otto Weininger (1880 to 1903) was an Austrian philosopher who made his name with a single book, Sex and Character, published in 1903 when he was twenty-three. Born in Vienna to a Jewish goldsmith's family, he studied philosophy and psychology at the University of Vienna, took his doctorate in 1902 and became a Protestant soon afterward. The book argues that every person mixes male and female elements, holds up genius as a masculine ideal and sets a Jewish character against a Christian one, passages that later writers, among them Nazi ideologists, drew on. Weininger shot himself in October 1903 in the house where Beethoven had died, and the suicide brought the book wide attention. His thought influenced Ludwig Wittgenstein and August Strindberg, and through his lesser-known work On the Last Things it reached James Joyce.
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Source Otto Weininger (Wikipedia)
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Source Jewish Virtual Library (Encyclopaedia Judaica): Weininger, Otto
Source Jewish Virtual Library (Encyclopaedia Judaica): Weininger, Otto
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Source Otto Weininger (Wikipedia)LeadQuote, Lead
was an Austrian philosopher
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Source Otto Weininger (Wikipedia)LifeQuote, Life
Otto Weininger was born on 3 April 1880 in Vienna
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1. Otto Weininger (Wikipedia)
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was an Austrian philosopher
Life
Otto Weininger was born on 3 April 1880 in Vienna
Lead, life dates
3 April 1880-4 October 1903
Life, parents
a son of the Jewish goldsmith Leopold Weininger and his wife Adelheid
In Branch: Ethics, Sex and Character, masculinity and femininity
By contrast, the duty of the male, or the masculine aspect of personality, is to strive to become a genius and to forgo sexuality for an abstract love of the absolute, God, which he finds within himself.
View the SourceJewish Virtual Library (Encyclopaedia Judaica): Weininger, Otto
Jewish Virtual Library (Encyclopaedia Judaica)Influenced By: Plato, Entry text, influences
influenced by, among others, Plato, Kant, St. Augustine, Neoplatonism, and Wagner
Influenced By: Immanuel Kant, Entry text, influences
influenced by, among others, Plato, Kant, St. Augustine, Neoplatonism, and Wagner
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